Royalty is not a font design, it is a font concept. The characters are designed to form typographic patterns, within which the words are still discernible. All character shapes are based on geometric elements,...
by Staff · Published May 26, 2015
· Last modified September 16, 2020
The inspiration for Plume’s distinctive character shapes came from the almost romantic elegance of the italic forms found in very early typewriter fonts. The potential softness is, however, tempered by the application of contemporary...
by Staff · Published May 26, 2015
· Last modified September 16, 2020
At first glance Dedica appears to be a traditional font which can be classified as a Modern style, but there are many subtle design details, such as asymmetric serifs, which differentiate it from the...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Vermilion is one of those colors that are neither/nor. It’s an ancient hue, in between red and orange and I kind of like the name. Vermilion font is a hand written, narrow and tall...
by Staff · Published May 26, 2015
· Last modified October 10, 2015
A geometric sans serif with minimal contrast. Shallow curves are smoothed out of rectangular letterforms to produce a fresh, legible typeface best suited to information based applications. Details include 9 weights with italics, 500...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Cogtan Shadow is a geometric shape with respect to single structure. The shape of each character is very simple and contemporary. I recommend it to be used in titles or short phrases on posters...
by Staff · Published May 26, 2015
· Last modified May 17, 2024
The Mramor family first appeared in the Stormtype catalogue in 1994. The first sketch arose in 1988 through the narrowing of Roman capitals. It has uniform width proportions and, above all, original lower-case letters,...
by Staff · Published May 26, 2015
· Last modified May 15, 2024