Hurstmonceux
Hurstmonceux is a distressed, antique Victorian-esque typeface. The eroded style is based on the aged quality of printed books from the Victorian time. Capitals are ornately decorated, with lowercase set in small caps.
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Centaurea
The Centaurea typeface family is based on a didone with curved serifs. The Original style is legible and adapted to small sizes. The Sketch, Outline and Plain styles allow originality and creativity. Twenty stylistic...
Petit Serif
Petit Serif is an interpretation (with Latin, Greek and Cyrillic versions) based on the lettering done at 55 Broadway, S.W.1, London, by Percy J. Delf Smith. It’s a sans serif presenting the classic proportions...
Mecano
Mecano is a typeface based on geometric structures. Their shapes, wide open and simple, reflects the spirit of mechanical technology. Available on 4 different styles: UltraLight, Light, Regular and Black.
Hans
In the Textura blackletter, legibility is less important than texture. The Hans typeface is particularly dark, dense and harsh. It is an abrupt typeface, with no smooth outlines, close to the expressionist blackletters designed...
Battling
Battling is a geometric sans serif inspired by the ‘Universelles’ types, distributed by the Dutreix typefoundry, in Limoges, in the 1930s. They were probably designed to challenge the ‘Europe’ (French name of Paul Renner’s...
Anacharsis
Anacharsis is a modernist geometric sans serif typeface, following the path of Futura, Simplex or Semplicità. Its shapes and proportions are based on the Rotunda black letter, soft, rounded, with a ‘southerly’ feel, such...
Bannertype
Bannertype is – at least for my feeling – the most German of all fonts. It was used heavily mostly in newsprint and advertising in the early 1900s. I designed a dirty version of...
Aldogizio
The ALDOGIZIO family is a new slab-serifs typefaces family inspired by Aldo Novarese’ Egizio. It can be use for text as for titling applications.