Joe Cool
Joe Cool is a bold geometric sans with minimal counters designed to achieve the maximum weight, solidity and impact on the page. Joe Cool Extended was actually created first, then it seemed like a...
font
Sperling FY
Sperling FY is a geometric and condensed high contrast font, characterized by its long vertical serifs. Its big i-dot as well as some other deliberately naive disproportions like the W are wonderful signs to...
Campan
Campan, is a new semi-linear face which unites mono-line and classic elements. It is very strong in headlines and its tall x-height lends itself to comfortable reading in text applications. The Campan family comprises...
Karika Hypnotica
Karika Hypnotica is the 4th volume in the Karika series of swirly circular symbols. The 52 original designs feature hypnotic motifs in circular symmatrical forms. A splendid addition to any illustration or design project...
Blueshift
An expressive disconnected script and a stylish display face that play together devilishly well. Add some handsome extras to the mix and voilà Blueshift, a hand-drawn family with a remarkable contemporary accent. Splendid designs...
Mayayo
We usually describe Mayayo as no good for condolence letters, nor for carving inscriptions, etc. Indeed, as we have seen, the designers who choose Mayayo used it in funny different ways.
Tschicholina
Tschicholina is inspired by a project by Jan Tschichold dating back to 1929. It is a unicase “universal” font which has always been considered to have very little future; this is why we have...
Karol Sans
Karol Sans is the perfect companion for Karol, without being a literal translation of it. It has its own personality and offers a wider range of six weights and their italics which gives it...
Hannover Modern
Hannover Modern belongs to a series of typefaces used at the Estudio Mariscal in Barcelona. José Manuel Urós developed this weight, a vigorous egyptian-style, the embodiment of the Javier Mariscal style.