Campan
Campan, is a new semi-linear face which unites mono-line and classic elements. It is very strong in headlines and its tall x-height lends itself to comfortable reading in text applications. The Campan family comprises...
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Karika Hypnotica
Karika Hypnotica is the 4th volume in the Karika series of swirly circular symbols. The 52 original designs feature hypnotic motifs in circular symmatrical forms. A splendid addition to any illustration or design project...
Blueshift
An expressive disconnected script and a stylish display face that play together devilishly well. Add some handsome extras to the mix and voilà Blueshift, a hand-drawn family with a remarkable contemporary accent. Splendid designs...
Mayayo
We usually describe Mayayo as no good for condolence letters, nor for carving inscriptions, etc. Indeed, as we have seen, the designers who choose Mayayo used it in funny different ways.
Tschicholina
Tschicholina is inspired by a project by Jan Tschichold dating back to 1929. It is a unicase “universal” font which has always been considered to have very little future; this is why we have...
Karol Sans
Karol Sans is the perfect companion for Karol, without being a literal translation of it. It has its own personality and offers a wider range of six weights and their italics which gives it...
Hannover Modern
Hannover Modern belongs to a series of typefaces used at the Estudio Mariscal in Barcelona. José Manuel Urós developed this weight, a vigorous egyptian-style, the embodiment of the Javier Mariscal style.
Despatxada
Despatxada letters are the scans of the alphabet of a manual rubber press. Letter by letter. Real prints. Real textures. You will not find another typeface like this. An heroic font in the digital...
Bandera Cyrillic
This square serif typeface is a real workhorse. It is a modern tool for text design: extremely legible and well shaped. Bandera Cyrillic has six weights with original italics. It catches attention in headlines...