Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this...
by Staff · Published May 26, 2015
· Last modified December 27, 2022
Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this...
by Staff · Published May 26, 2015
· Last modified December 27, 2022
Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this...
by Staff · Published May 26, 2015
· Last modified December 27, 2022
Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this...
by Staff · Published May 26, 2015
· Last modified December 27, 2022
Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this...
by Staff · Published May 26, 2015
· Last modified December 27, 2022
Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this...
by Staff · Published May 26, 2015
· Last modified December 27, 2022
Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
This set features 2 distinctive fonts, each with multiple alternates and useful ornaments. Inspired by 20’s era lettering artist Samuel Welo, the rounded serifs and delicate strokes set this Art Deco style apart.
by Staff · Published May 26, 2015
· Last modified May 15, 2024
Rooster Families are based on a ventilation grill. All the individual characters are isolated from this form. Rooster 1 and Rooster 2 can be combined with each other.
by Staff · Published May 26, 2015
· Last modified May 15, 2024
Rooster Families are based on a ventilation grill. All the individual characters are isolated from this form. Rooster 1 and Rooster 2 can be combined with each other.