Royal Crimson is classically beautiful with its highly decorative uppercase and sharp serifs. Perfect for designs requiring an old world appearance. Set includes 3 different fonts designed to be used together. Watch the short...
by Staff · Published May 26, 2015
· Last modified May 15, 2024
Sadness is based on some experiments during Felix Braden’s stay at the Trier College of Design: “I played around with Fontographer’s blendfonts-feature (a type design tool to interpolate fonts and to minimize effort and...
by Staff · Published May 26, 2015
· Last modified May 15, 2024
Grimoire on the other hand combines two seemingly contradicting principles — calligraphic and constructive ideas — and makes them work together. The font is based on a modular system but simulates a handwritten typeface....
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Webnar is a modern geometric sans serif font family of 7 weights, including italics, created with information and technology in mind. It is a functional, versatile and highly legible typeface designed to perform well...
by Staff · Published May 26, 2015
· Last modified December 27, 2022
Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this...
by Staff · Published May 26, 2015
· Last modified December 27, 2022
Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this...
by Staff · Published May 26, 2015
· Last modified December 27, 2022
Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this...
by Staff · Published May 26, 2015
· Last modified December 27, 2022
Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this...
by Staff · Published May 26, 2015
· Last modified December 27, 2022
Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this...
by Staff · Published May 26, 2015
· Last modified December 27, 2022
Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this...