font

LHF Royal Crimson

LHF Royal Crimson font

Royal Crimson is classically beautiful with its highly decorative uppercase and sharp serifs. Perfect for designs requiring an old world appearance. Set includes 3 different fonts designed to be used together. Watch the short...

Sadness

Sadness font

Sadness is based on some experiments during Felix Braden’s stay at the Trier College of Design: “I played around with Fontographer’s blendfonts-feature (a type design tool to interpolate fonts and to minimize effort and...

Grimoire

Grimoire font

Grimoire on the other hand combines two seemingly contradicting principles — calligraphic and constructive ideas — and makes them work together. The font is based on a modular system but simulates a handwritten typeface....

Webnar

Webnar font

Webnar is a modern geometric sans serif font family of 7 weights, including italics, created with information and technology in mind. It is a functional, versatile and highly legible typeface designed to perform well...

Rude Slab

Rude Slab font

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this...

Rude Slab Condensed

Rude Slab Condensed font

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this...

Rude Slab ExtraCondensed

Rude Slab ExtraCondensed font

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this...

Rude Slab ExtraWide

Rude Slab ExtraWide font

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this...

Rude Slab SemiCondensed

Rude Slab SemiCondensed font

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this...

Rude Slab SemiWide

Rude Slab SemiWide font

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this...