Rude Slab Wide
Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this...
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Lille Snemand
Lille Snemand, in Danish, means Little Snowman – like the Little Mermaid, but then colder… Lille Snemand is kin to the original Snemand font, which is an all caps typeface, but unlike its big...
Sivellin
Sivellin is an elegant brush script with a lots of alternates, swashes and small caps. All in all it has over 1,300 glyphs. Sivellin has round and soft letterforms, low x-height and quite a...
Freeland
Freeland is a casual brush typeface, with a rich, inky texture, and just a bit of a masculine, edgy vibe. It’s modern, bold, and lively, but not too whimsical. Features plenty of ligatures and...
Merlo Round
Font Merlo Round is the younger brother of Merlo. Font Merlo Round is characterized by twelve different varieties – lower and uppercase characters. It is inspired by a You And Me Monthly published by...
Burford Rustic
Burford Rustic is the weathered and textured alternative to the Burford Family. It works the same way as Burford as a layer-based font family, but with some style variations and new layering options. It...
Jolie
Jolie personifies romance. With its dramatic swashes, generously curved lines, and full, richly fashioned upper case characters, it evokes floral perfumes, roses, violin music and romantic evenings. The richly complex uppercase characters provide a…
Muisca
Muisca, that in its early edition was named as «Muisca Sans», was developed in mid-1997 and based on the graphic concept of pre-Columbian characteristics figures within some of the very few visual elements recovered...
Without Sans
Without Sans is a new geometric sans serif of 10 weights plus matching italics and alt family. It was designed by Felipe Sanzana and Diego Aravena, the founders of “Without Foundry”, in 2014/15. It...
Astoria Sans
The Sans serif companion to Astoria. Based heavily on Gill especially in the mid weights and with a consistant series of condensed weights. Designed specifically as a text face it still works very well...