Peachi is a serif typeface loosely based on Morris Fuller Benton’s Souvenir forms and some other serif fonts designed in the early 1900s. It has a soft look – round corners, slightly curved legs...
The Seasons is an elegant classic serif font family consisting of a high contrast serif fonts with a vintage chic look, with corresponding calligraphic cursive italics that are based on a number of humanist...
Lumios Brush is a new addition to the Lumios Extended Font Family. It was written with Pilot Brush Pen on a glossy paper (which allows a really smooth brush movements) and then carefully digitized.Just...
Parlare (italian: to speak) is a modern handwritten signature script with unique organic forms. It benefits from 2 sets of uppercase letters in different sizes, end-of-word swashes, alternates and more than 100 ligatures to...
Amandine is a modern high contrast sans serif typeface that takes its inspiration from Didone family forms with some influence from vintage typefaces and calligraphy scripts.Amandine font family benefits from stylistic alternates, ligatures and…
The geometrical drawing of Fenomen Slab follows the guidelines set by our other font family Fenomen Sans. It is a perfect companion of Fenomen Sans, as well as being a standalone font family capable...
Meteoric is a new playful three-weight typefamily, featuring a soft and rounded sans serif. The semi-stencil style gives it a distinct futuristic look and modern feeling, that is great for logo design, headlines and...
Bergen Sans is a contemporary sans serif font family of 6 fonts. Carrying clean and stylized Scandinavian geometry, partnered with explosive post Bauhaus type aesthetics, Bergen Sans is perfect companion in any designer’s ‘survival’...
Bergen Text is the younger twin and a lifetime companion of Bergen Sans with perfect legibility and adorable personality. It has been carefully crafted to improve readability experience particularly on small text sizes. Bergen...
Graviola Soft is a juicy type family. It is based on our Graviola typeface, but we didn’t just round its corners. We redrew every stem and terminal so they would look just right. Combined...