Feverish
“Feverish” was a font borne out of perceived need in the marketplace. Hallmark retired font designer and master letter designer Myron McVay first approached Bill LaFever to collaborate on a project to design a...
font
Hebden
Hebden is a ‘Northern’ font. Inspired by the town Hebden Bridge in Yorkshire, the family is a mix of a grotesque and an incised serif. The grot is based on Victorian train station signage...
Cindie Mono
Cindie Mono is a multi-width display font. Six different widths – A (condensed) through F (super extended) – mathematically correspond with one-another creating a stackable type family. Each face contains all caps full West,...
Bobik
Bobik is a display type family with three faces – sans, serif and slab. The family was drawn initially on basic principles described in Jean Alessandrini’s Codex 80 and then further developed, including adding...
Fleischer Display
Fleischer is a rough and playful display typeface good for headlines and posters. The face is based on historical letterforms combined with energetic 20th century pulp-style lettering. Fleischer comes with caps and small caps...
Gardner Sans
Gardner Sans is a humanist sans serif with a range of weights, italics, small caps stylistics alternates and a set of decorative ornaments. The light and regular faces work at smaller sizes and the...
Tusker Grotesk
Tusker Grotesk is a headline typeface designed for robust and high-impact use. The initial inspiration for Tusker came from postwar typefaces like Haettenschweiler, Impact and Helvetica Inserat which use very high x-heights. Other influences...
Waba
Waba Pronounced ‘Vah-bah’, is a font family that I designed. The name comes from a historical variation on the Estonian word ‘vaba’ – meaning ‘free’, or ‘at liberty’. Back in 2017 I visited the...
Cindie 2
Cindie 2 is an update of the optical type Cindie Mono. It retains the monospace-stacking system of the original, but some letters have been redrawn. It also now includes a lowercase and Cindie 2...
Ernie
Ernie is a new animated typeface by Jim Ford, intended as a complimentary serif design to Freeman Craw’s fun retro hit, Ad Lib. The serif drawings mimic the behaviors of Ad Lib, on a...