Analogia
Analogia is a digital interpretation of types used in the mid-18th century in books printed at Leuven by Martin van Overbeke. It is intended primarily for use in running text. The roman is businesslike,...
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Cunaeus
Cunaeus is intended primarily for use in running text. It brings together the types of two renowned sixteenth-century punchcutters: the roman is an interpretation of a pica font cut by Ameet Tavernier (c.1522–1570), and...
Whittington
Whittington is a revival of a congenial ‘modern’ typeface of the mid nineteenth century, unassuming and businesslike with an even colour that reads comfortably over long stretches. It is intended primarily for use in...
Miklos
The gifted Hungarian punch-cutter and printer Miklós Kis was active in Amsterdam in the 1680s. Among the many fonts that he cut during those years were a ‘mediaen’ (pica-sized) roman and italic, and the...
Tavolga
Tavolga have the mood of brushed feeling and come across as friendly and gentle. The harmony of organic and smooth shapes makes Tavolga uniquely appealing for display and titling where special expression is required....
Fungia
Fungia is the result of an experiment to remelt loose natural forms to a coherent structure of a typeface. The idea appeared as a kind of joke: what letters look like if based on...
Creata
Creata is a sans serif typeface with a wide range of application. The font family contains 14 weights (7 straight with match italics). The overall design is neutral but some letters has pretty unusual...
Fungis
Fungis is a somewhat ‘brother’ of Fungia. These two typefaces were conceived simultaneously as an experiment on designing typeface based on natural shapes. In both cases it was mushrooms. Of course the main theme...
Kröwn
Kröwn is a ruthless display font family. It is presented in three styles that can be used stacked to create beveling and dimensional effects. Kröwn’s most distinctive feature is the absence of counter shapes,...
Eponymous
Eponymous is an Egyptian-style typeface with chunky, scalloped serifs. It is available in five weights in both roman and italic. I have always loved slab serif type and have created Eponymous to fulfil a...