Whiteblack is a slab serif with a soft touch, designed for contemporary typography and comes up with 6 weights for positive and negative settings plus handslanted obliques.In dark backgrounds, especially for signage and on...
A dotted script typefacePuntino is (maybe the first) dotted script typeface and not made up of grid-based dots. They are optical corrected and there is always the same distance between the dots, with the...
Macho was designed in 2010 for MAN, Museo d’Arte Provincia di Nuoro, as a part of the corporate identity designed by Sabina Era. Macho is based on the idea of modular widths of the...
Zenon is a compact text font in four weights. Zenon is a sum of different styles, from Francesco Griffo to Granjon, from modern typefaces to the first sketches of Times New Roman. Zenon is...
Saffran is a project of Erasmo Ciufo and Alessio D’Ellena. Saffran is a clear sans-serif with big x-height, short ascenders and descenders, that works well both for headlines and main bodies of text. The...
Brasílica is a robust design, with wide proportions, that assimilates influences both from old style and modern types. This wide shapes, as well as the moderate contrast and sturdy serifs make it suitable to...
Sole Serif is a newspaper face with features relating to book typography. Inspiration from Francesco Griffo’s romans was adapted to resist the rough usage typical of newspaper printing without any loss of quality. Sole...
Sempione is a spanking new sanserif family suitable for publishing and advertising that looks great in small and large sizes. Its two main styles, Grotesk and Modern, are inspired by the early grots and...
Macho Moustache is closely related to Macho Modular, the parent type with which it shares modular widths and most letterforms. The difference is that Macho Moustache follows the ‘Grotesque’ tradition of tight apertures for...
Sole Sans, companion to Sole Serif, is a newspaper sanserif available in a wide range of weights and styles. It’s a workhorse, suitable for headlines, diagrams, graphics and tabular work. Contrast at the junctions...