Hand Of Sean
Hand Of Sean was created from the designer’s own handwriting in 2008 for a personal project, but was made available to the public and quickly became very popular. The font was updated in 2013...
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Sean’s Other Hand
Sean’s Other Hand is a hand-drawn font and was created as an alternative to the popular Hand Of Sean font, by the same designer. It has a looser, more natural feel and is best...
Tidy Hand
Tidy Hand is a clean and simple hand-written font, reminiscent of classic Swiss type. Perfectly suited to annotating sketches, UX / UI wireframes and architects drawings, where a slightly more formal, but still hand-drawn...
Poacher
Poacher is a hand-drawn font inspired by the popular Hand Of Sean font, by the same designer. It has a looser, fun feel and is great for applications aimed at children. Great for kid’s...
Wermut
An intoxicating blend of rare flavours is what makes the new transitional typeface Wermut (German for vermouth) resemble its alcoholic namesake. Bitter and thorny at first glance, it proceeds to surprise the palate with...
Aeroport
Aeroport is a new typeface in the spirit of both German geometric sans serifs and Swiss neogrotesques. Its deliberately wide proportions and relatively short capitals account for the excellent way the type carries the...
Jet
Jet is an assertive italic sans that anticipates the return of the simpler, optimistic times when progress was considered positive and forward seemed to be the only way to go. It may have felt...
Coil
Coil feels comfortable like a well-worn pair of shoes. It could easily pass for an assertive industrial European sans serif of the early 1960s with its slight reverse contrast, monotonous proportions, and squared-off curves,...
Kyiv
The font Kyiv is an attempt to unite old-style antiqua with the Ukrainian tradition and modern requirements. Besides having usual italics the Renaissance tradition of “semi-italics” renewed, compact weights are also provided. Special charm...
Dnipro
Dnipro is a version of experience generalization of Ukrainian decorative font creation. The generalization development was initited by Georgy Narbut and Mark Kirnarsky in the 1920s and continued in 1970-80s. Latin letters of the...