Tasci Kufi is the today’s commentary of the minimalist comprehension of the geometric balance in the epigraphs of the Seljuk period. The typeface offers innumerable alternatives for the balance component needed for headlines and...
by Staff · Published May 26, 2015
· Last modified December 27, 2022
Based on the classic Sol design by Marty Goldstein and C.B. Smith, published by VGC in 1973, Sol Pro goes above and beyond the call of revival/retooling to include plenty of optical improvements to...
by · Published May 26, 2015
· Last modified November 6, 2024
Adrian Frutiger’s distinguished and successful 1966 design for the European Computer Manufacturers’ Association improving readability of letters for both machines and humans. OCR-B is replacing OCR-A.
by · Published May 26, 2015
· Last modified May 18, 2024
Mark van Bronkhorst’s MVB Magnesium is based on his impressions of a style of lettering often seen on early 20th century hand-painted signage. With its thick-thin strokes and angled terminals, MVB Magnesium is a...
by · Published May 26, 2015
· Last modified November 6, 2024
The familiar numerals from the bottom of American MICR (Magnetic Ink Character Recognition) checks, designed in 1958 for printing in magnetic ink to be read by magnetic readers and humans; they are produced in...
by · Published May 26, 2015
· Last modified November 4, 2024
Letter Gothic font was designed by Roger Roberson for IBM sometime between 1956 and 1962. Inspired by Optima, the typeface originally had flared stems. A monospaced sans serif font designed for use on an...
by · Published May 26, 2015
· Last modified November 4, 2024