This font takes its name and the overall shape from modern bentwood furniture, namely Scandinavian designs since the 1940s. The curved corners of the letterforms are practically hyperbolic, to convey the tension and strength...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
ION A is a part of the ION superfamily, which consists of 3 families: condensed (ION A), normal (ION B) and wide (ION C), each having a compelling range of 10 weights. Styles Thin...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
ION B is a part of the ION superfamily, which consists of 3 families: condensed (ION A), normal (ION B) and wide (ION C), each having a compelling range of 10 weights. Styles Thin...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
ION C is a part of the ION superfamily, which consists of 3 families: condensed (ION A), normal (ION B) and wide (ION C), each having a compelling range of 10 weights. Styles Thin...
by · Published May 26, 2015
· Last modified May 18, 2024
A 1990s-vintage Radiohead poster by Jermaine Rogers provided the go-by for this tight, trippy techno face. Jermaine’s design, it turns out, was an adaptation of a Ray Larabie font, Dignity of Labour. This version...
by Staff · Published May 26, 2015
· Last modified May 17, 2024
I was interested in creating a very minimalist font, and also interested in closed shapes. I thought about the appearance of keys on a piano and realized it could be made into such a...