The tradition at the New York Times magazine has been to dedicate the year’s last issue to the people who passed away during the year, especially those whose lives have affected us. Art director...
by · Published May 26, 2015
· Last modified October 15, 2015
AG Book Stencil was designed by Günter Gerhard Lange for Berthold in 1985. This is part of a mixed package that offers a variety of styles suitable for displays.
by · Published May 26, 2015
· Last modified October 16, 2015
A more casual extension of the AG Book family, Günter Gerhard Lange designed AG Book Rounded in 1980. It has an informality that is appropriate for all kinds of advertising and display work. AG...
by · Published May 26, 2015
· Last modified December 27, 2022
The inspiration for this versatile typeface came from both Art Deco and Military sources. It comes with both a clean geometric and hand drawn version so you don’t have to get carpal tunnel sketching...
by · Published May 26, 2015
· Last modified December 28, 2022
Printing Press Extras JNL is another collection of classic printing embellishments and stock cuts from Jeff Levine, with a few new ones thrown in for good measure.
by · Published May 26, 2015
· Last modified December 28, 2022
Since Mommie I gradually got more into swirly ornaments. The massive contrast in the neoclassic style is perfect for thin swirly extensions to the characters. Even in an upright typeface. Narziss is very elegant...
by · Published May 26, 2015
· Last modified December 28, 2022
Bonning is a Roman face full of the spirit of the 1920s. It was inspired by a (real)estate agent’s For Sale board seen in an old sepia photograph from that era and combines visual...
by · Published May 26, 2015
· Last modified May 18, 2024
MVB Solano Gothic Bold was originally designed as a display face for the City of Albany, California (located on the San Francisco Bay facing the Golden Gate Bridge and bordering Berkeley). Named for the...
by · Published May 26, 2015
· Last modified May 17, 2024
The original Ronsard Crystal began its life as a single-weight VGC photo display font in the 1950s. We liked it so much, that we decided to design four traditional weights to go with the...