Plantin is a Renaissance Roman as seen through a late–industrial-revolution paradigm. Its forms aim to celebrate fine sixteenth century book typography with the requirements of mechanized typesetting and mass production in mind. How did...
by · Published May 26, 2015
· Last modified May 15, 2024
Hermann Zapf’s first popular typeface, based on his own elegant calligraphy, effective in text and display, carrying little trace of the Trump Mediaeval eccentricities.
by · Published May 26, 2015
· Last modified May 15, 2024
Old Claude was drawn by Paul Shaw to simulate an old cut of the classic (Claude) Garamond type designs of the 16th & 17th centuries. The pronounced rough edges and coarse letter shapes create...
by · Published May 26, 2015
· Last modified May 30, 2021
Minion Pro is an Adobe Original typeface designed by Robert Slimbach. The first version of Minion was released in 1990. Cyrillic additions were released in 1992, and finally the OpenType Pro version was released...
by · Published May 26, 2015
· Last modified November 6, 2024
Designed by Francesco Simoncini and W. Bilz, this design follows Times New Roman in structure, but differs in some details. Unlike Times New Roman, the boldface is a weighted version of the roman.
by · Published May 26, 2015
· Last modified November 26, 2024
Named after the German Renaissance astronomer, Kepler is a contemporary type family designed by Robert Slimbach in the tradition of classic modern 18th century typefaces. Modern typefaces are known for their cool intellectual quality,...
by · Published May 26, 2015
· Last modified May 17, 2024
The design for Granjon was produced at the English branch of Linotype under the direction of George William Jones and appeared in 1928. This reproduction of a Garamond typeface was based on the typeface...
by · Published May 26, 2015
· Last modified December 1, 2024