Free Fonts
Thanksgiving uses the following OpenType features to set up to four different color layers. Small Caps/changing direction Superscript/Superior (Apples) Subscript/Inferior (Leaves) Numerator (Loops) Denominator (Flowers) Note: To get the most out of…
WineGrape uses the following OpenType features to set up to three different color layers: – Small Caps / changing direction – Superscript/Superior (Grapes) – Subscript/Inferior (Leafs)
Christmas A2 uses the following OpenType features to set up to four different color layers. – Superscript/Superior (Trees) – Subscript/Inferior (Stars) – Numerator (Candles) – Denominator (Light, Bells) Note: Due to the complexity of...
Christmas A uses the following OpenType features to set up to four different color layers. – Superscript/Superior (Trees) – Subscript/Inferior (Stars) – Numerator (Candles) – Denominator (Light, Bells) Note: Due to the complexity of...
Simeon is well suited for setting an short and medium amount of text with an historic impression. OpenType features: – over 650 glyphs – Central European faces – stylistic alternates and historical forms –...
Missale Lunea is a calligraphic uncial typeface with a female note. The font offers lots of stylistic alternates, signs, zodiacs & symbols. OpenType features: stylistic alternates signs, zodiac & symbols, proportional, medieval numerals, Roman…
Gracia is a classic connected script design. OpenType features: – over 700 glyphs – central European faces – connection forms & stylistic alternates – proportional, mediaeval numerals & Roman numerals – numerators, denominators and...
Gracia is a classic connected script design. OpenType features: – over 700 glyphs – central European faces – connection forms & stylistic alternates – proportional, mediaeval numerals & Roman numerals – numerators, denominators and...
Gracia Solo is a sister design of Gracia. Gracia Solo has left its connection forms without losing the typical look of English scripts. OpenType features: – central European faces – stylistic alternates – proportional,...
The roots of Adana going back to the year 1930, to the Berlin-based German graphic designer Wilhelm Berg. His typeface can be interpreted as an answer to Lucian Bernhards Schönschrift. Adana Circular and Regular...