Ghost Show
Back in the days when we earned our living with a travelling magic show, we took the shaded font Lithotint, filled it in, modified some characters, and here is the result. In those days,...
font_designer: Dan Solo
Hullabaloo
We saw a few letters of this in a catalog, and liked it so well we drew it up and made it as a film font for photolettering. Due to a surplus of interesting...
Barbary Coast
In one of our yearly type hunts, we came across the ancestor of this font, much wider and more decorative, with fine outside shading. Condition was poor so we did the obvious, cutting out...
Buddha
There are many Oriental-themed fonts, most without lowercase. This one originated in the German foundry of Schelter & Giesecke shortly before 1900. Use this font and an hour later you’ll want to use it...
Circlet
Like many of the Victorian decorative fonts, this one had caps only when Barnhart Bros. and Spindler brought it out. In 1990, we decided to draw a lowercase for it, making it more versatile....
Concave Extended
Many foundries had versions of Concave ‹ wide, narrow, extra condensed, some with lowercase, some without. A good general utility style for Victorian typography.
Benjamin
Fonts without curved lines were quite popular in Victorian times. We drew this one back in the days of T-squares and triangles, and based it on a type that we felt could stand to...
Angel
Victorian fonts are a delight to use, but many don¹t have a lowercase. Today, that doesn¹t cut it, so where practicable, we design a harmonizing lowercase to extend the usefulness of the font.
Banquet
In our early days of type hunting, we considered this to be the prize of our collection. Fonts of this late Victorian period seem to have less ruffles and flourishes than the earlier ones,...
Sparticus
A European font from Bauer’s foundry was the inspiration for the caps in the font. There was no lowercase, so we designed one. Although the original font was intended for display lines in advertising,...