font_designer: Nicholas Garner

Jacqueline

Jacqueline font

Jacqueline is the culmination of successive attempts to render the loose but controlled script of the eponymous writer’s hand. The result is a fluid script that resembles pencil or chalk and flows legibly and...

Lamoreli

Lamoreli font

Lamoreli is a strong rounded face that provides high impact in a non-aggressive way. It is suitable for display, titling and headlines. It retains integrity even when considerably expanded or condensed.

Midas

Midas font

Midas is an outlined form of Lamoreli, suitable for display, titling and headlines.

Backstage

Backstage font

Backstage is a bold sans serif stencil with subtly rounded corners.

Sky Sans

Sky Sans font

Sky Sans is a companion to Sky Serif. The six weights provide extreme variations and great flexibility making it useful for reports and newsletters where a mix of weights can be used to create...

Omniscript

Omniscript font

Omniscript is a confident hand-lettered script without self-conscious style or idiosyncrasy. Four weights together with monospaced numerals and math symbols make it ideal for architects and engineers. The fonts support all Latin-based languages.

La Carte

La Carte font

Inspired by a series of handwritten menus produced in 1980, La Carte is a stylish but legible script that sets as well in body copy as it does in headlines.

Cambridge Round

Cambridge Round font

Cambridge Round provides a rounded version of Cambridge, useful for headings and more informal texts. The family contains four weights in three widths with matching italic forms for all variants.

Cambridge

Cambridge font

Cambridge seeks to build on the popularity of Fiendstar amongst educational publishers and advertisers who need easy-to-read text in a classic sans serif format. Cambridge is an elegant typestyle that is equally at home...

Atria

Atria font

A modern sans-serif, Atria is pinched at the junction of certain strokes, providing a distinctive appearance and aiding screen definition at small sizes. The glyphs cover Baltic languages and Cyrillic.