font_designer: Nick Curtis

Beagle Boyz NF

Beagle Boyz NF font

Whoever knew the Red Menace could be such fun? This bold and bouncy face is based on a Cyrillic alphabet presented in the book Schrifti Alphabeti, published in the Soviet Union in 1979. It...

Jampact NF

Jampact NF font

A little Compacta, a little Impact, a little photolettering from the 70s, all rolled into one make for a unique headline face that commands attention. Although this font is primarily unicase, the lowercase positions...

Jane Plain NF

Jane Plain NF font

Here’s a clean, simple architectural-blueprint style, eminently suitable for subheads and text blocks. Inspired by and named for a gentlewoman who gave up a career as an architect in Bolivia to care for the...

Kingstown NF

Kingstown NF font

A simple, elegant semiscript…enough said. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

Groovadelic NF

Groovadelic NF font

Break out the love beads and fire up the lava lamps, and make way for this hippy, dippy homage to the Sixties. Finely tuned letterforms and extensive, thoughtful hand-kerning means your headlines will ride...

Xanthippe NF

Xanthippe NF font

Extrabold and exuberant caps from a blackletter face rendered by Ross George in his perennial Speedball Text Book have been combined with a more restrained and traditional lowercase to create a unique and striking...

Quoi Chou NF

Quoi Chou NF font

The letterforms of Lucien Bernhard’s stylish, if somewhat anorexic, Bernhard Fashion were beefed up and complemented with thick-and-thin stroke variation to create this elegant family, available in normal and bold weights. Additionally, Bernhard’s…

Midtown Tessie NF

Midtown Tessie NF font

A sign at the 81st Street (Museum of Natural History) New York subway stop provided the pattern for this mosaic tile face. The font features a full-tile background at the bar position (shift-backslash) and...

Bellagio NF

Bellagio NF font

This family, in normal and bold weights, is based on Advertisers Gothic, designed by Robert Wiebking for Barnhart Brothers & Spindler in 1917. The original might be considered a transitional design between Art Nouveau...

Fredericksburg

Fredericksburg font

In his book of 100 Wood Type Alphabets, Rob Roy Kelly called this face “Teutonic”. This version adds lowercase letters, missing in the original, plus a few woodcut dingbats in the brackets, bar, section...