FF Merlin
Canadian type designer Nick Shinn created this display FontFont in 1997. The family contains 3 weights: Regular, Italic, and Bold and is ideally suited for advertising and packaging, festive occasions as well as poster...
font_designer: Nick Shinn
Eunoia
Eunoia is an eye-popping, high-contrast, condensed, geometric, sans serif typeface. The family is not, as is usual, built around variance in weight or skew, but alternate letterforms. Eunoia is a system of six fonts...
Goodchild
Goodchild is a robust Jenson revival with large x-height and short capitals that make it a workhorse for text setting. At display size, its crisp, no-nonsense details provide a contemporary freshness.
Morphica
This critique of the utilitarian is a perverse and disjunctive mash-up of thematic devices: sans mixed with serif, stroke contrast applied to techno armature, body parts displaced and elided. We are asked to admire...
Preface
Preface vs. Helvetica/Futura/Gill: a different strategy of text color. Whereas the established classes of sans serif typeface achieve a dynamic balance between stroke and space by combining a diversity of letterform with an evenness...
Panoptica
New formula for an alphabet: unicase + tabular
Brown
Brown Gothic is a compact sans serif face, with rounder letterforms than the usual condensed grotesques such as Helvetica, Univers, et al. It has a barely discernible “distressing”, which is slightly less perceptible in...
Worldwide
Proven in newspapers around the world, Worldwide is a classic news face in the modern idiom, somewhat condensed, especially in the display weights. The Regular font of the Text family is loaded with features.
Artefact
Rearranging the conventional disposition of thick and thin strokes in the Modern (Didone) class of typeface.
Beaufort
Engaging the issue of scalability, Beaufort® is configured so that serifs render with great sharpness, independent of type size, limited only by device resolution. This scale of effect empowers the typographer with a design...