Custard
Playful and funky. The ideal choice for candy wrapping, teen magazines, toy packaging and the like. The reweighted condensed is useful where space is at a premium, and mixing the two weights freely leads...
font_designer: Rian Hughes
Gentry
With its strong diagonal emphasis, Gentry is a humanised techno face that manages to also incorporate some strong calligraphic touches. Powerful in short and single-word settings.
Box Office
Designed originally for the BBC’s listings magazine “Radio Times”, this dingbat font has been extended to include the US rating as well as the UK ones and a selection of symbols for use on...
Catseye
A casual sans that harks back to the very English style of book jacket and poster art of the late 50’s and early 60’s. The turned-in terminals are reminicent of Stephenson Blake’s Grotesque 9,...
Autospec
Designed as a companion to Autofont, this dingbat set was originally developed for What Car? magazine, the UK’s leading automotive consumer title. Use in charts and reviews to indicate metallic paint, shatterproof glass, number...
Battery Park
This stencil font, inspired by a fleeting glimpse of a Bronx plumber’s van seen through the rain-spattered window of a New York taxi, is evocative of urban grit, knock-down warehouse bargains and military supplies...
Chase
Type that preserves the over- and under-inked textures of true old-fashioned wood faces, now available without ink on your fingers straight from your keyboard. Based on samples taken from early and mid Nineteenth century...
Cheapside
A condensed serif that’s been through the ravages of reproduction but has now been digitized for modern use. Elegantly wasted.
Coldharbour Gothic
Reminicent of mid-19th century antique type and Victorian cast-iron signage, Coldharbour Gothic lovingly preserves all the eroded and rusted textures in digital form. Characters have been selected to have cleaner and rougher counterparts –...