Zentral
My goal in designing Zentral was to create a distinctive sculptural font intentionally in Regular and Italic only. I believe Zentral Regular and Italic has the latitude and flexibility needed in most type scenarios...
font_designer: Robbie de Villiers
Kular
I set out to design a monospaced font and decided it would look way better if it wasn’t. It gave me the freedom to make the individual glyphs more interesting while retaining the mono-look....
OBO Regular
OBO is a modern interpretation of the classical Italian letterforms with the readability of contemporary sans typefaces. OBO is ideally suited for creating identities for branding, posters, book covers, headlines, logotypes, restaurant menus, beer…
Rito
Rito Regular and Italic is a clean, crisp and modern monospaced font ready to make your work shine. Its distinctive ink-trap inspired chiseled glyphs create a unique flavor that is more pronounced in the...
Voix
VOIX Regular and Italic is a stylish, modern & monospaced font ready to make your work hard for you! It has several unique glyphs that create a unique style. VOIX is not your typical...
Yotta
Yotta was created for situations where a thin sans with a little extra style is required in branding, advertising promotional projects — it is especially suited for the FASHION retail industry. The extended stroke...
WerkSerif
We created a serif version of our popular “Werk” Sans Serif that will greatly enhance the Work family of fonts. Like “Werk” Sans Serif, “WerkSerif” is a sturdy, well-tuned font that is a true...
Leuk
The Dutch word “leuk” translates loosely to English as pleasant, jolly, funny, witty, clever, nice, sweet, kind, nice, amusing, entertaining, and funny. Leuk, the font, is a small, highly legible font with a witty,...
De La Croix
De La Croix font was inspired by the works of Eugène Delacroix, leader of the Romantic School. De La Croix is a strong yet romantic font that plays well in a wide variety of...
Cyan Neue
Cyan Neue is a substantial update variation to the original Cyan we launched in 2006. Most notably the contrast has decreased making it more contemporary. Many glyphs have been improved especially in the italics....