Typoskript AR
Typoskript AR is based on a metal type which was produced in 1968 by VEB Typoart, Dresden, from a design of the German calligrapher and lettering artist Hildegard Korger. It bears all the qualities...
font_foundry: ARTypes
Freundschafts-Antiqua AR
Freundschafts-Antiqua AR is based on a 20th-century German type design. Freundschafts-Antiqua (which was also called Chinesische Antiqua) was designed by the Chinese calligrapher Yü Bing-nan when he was a student at the Hochschule für...
Pan AR
Pan AR is based on a playful design by the great graphic artist and book designer Prof. Walter Brudi. The original types, with two sets of capitals, were cast in 14, 16, 20, 28,...
Kuehne-Antiqua AR
Kuehne-Antiqua AR is a digital transcription of a latin letter by Hans Kühne which was cast in 14-pt by the Gebr. Klingspor foundry in 1954. It is a distinguished pen-drawn type in which can...
Troyer AR
The Troyer AR ornaments are based on the first series of ornaments designed for American Type Founders by Johannes Troyer (1902-69). They were cast in 36 and 48 point in 1953 by ATF who...
Bravo-AR
Bravo-AR is based upon a 16-pt type designed by E. A. Neukomm and released in 1945 by the Haas foundry of Münchenstein, Switzerland. in 1948.
Hiero-Rhode-Antiqua
Hiero-Rhode-Antiqua is a digital transcription of a 20-pt type designed by J. A. Hieronymus Rhode and made by Johannes Wagner.
Maria-Ballé-Initials
Maria-Ballé-Initials are derived from the Ballé series I made by the Bauer foundry. When set at 60 pt this font will match the size of the original 48-pt Didot design.
Bentele-Unziale
The Bentele-Unziale letters are transcribed from letters drawn by Prof. Ernst Bentele which are displayed in Hoffmanns Schriftatlas (1952). The size of the original is matched when set at 84 pt.
Initiales Ombrees
ARTypes Initiales ombrées transcribed from 84-pt letters made by Gillé fils in 1828, descended to Deberny & Peignot.