font_foundry: Autographis

Fanny is written with a broad felt tip marker, scanned and finished by hand on screen, taking care to emphasize the typical “felttip-marker” feeling.

Brigitta is the complementary joining script that can be mixed with Annabella. Also written with a Japanese brush on rough paper, first scanned and then carefully finished by hand on screen.

Constanza is a joining high-contrast-script, extreme ascenders and descenders for added personality some descenders swing under its neighboring letters. The font can be used together (mixed) with Dalia and Elisara.

Annabella is a joining classical English script, written with a Japanese brush on rough watercolor paper, scanned and finished by hand on screen, taking care to keep the “rough” touch. It can be used...

Dalia is a joining high-contrast-script, with extreme ascenders and descenders for added personality; some descenders are looping into each other and under its neighboring letters. The font can be used together (mixed) with Constanza...

Elisara is a joining high-contrast-script, with extreme ascenders and descenders; the capital letters and some lower case letters are highly ornamental with swirls galore. The font can be used together (mixed) with Constanza and...

Isara is a rough script written with a flat-nibbed marker, scanned and then carefully digitized to keep that spontaneous feeling.

Paula is a non-joining rough brush script with traces of the brush’s backstroke that give it that typical look. Paula is an open script with very good readability.

Helenia is a classic broad-nib script with joining letters. Written with a pen on rough paper, scanned and then carefully digitized to keep that rough touch.

Grazia is a joining script with zero contrast. That means that I designed the line of the letters so, that they look equally thick all the time. The script is almost upright and has...