font_foundry: Autographis

Fanny is written with a broad felt tip marker, scanned and finished by hand on screen, taking care to emphasize the typical “felttip-marker” feeling.

Annabella is a joining classical English script, written with a Japanese brush on rough watercolor paper, scanned and finished by hand on screen, taking care to keep the “rough” touch. It can be used...

Brigitta is the complementary joining script that can be mixed with Annabella. Also written with a Japanese brush on rough paper, first scanned and then carefully finished by hand on screen.

Constanza is a joining high-contrast-script, extreme ascenders and descenders for added personality some descenders swing under its neighboring letters. The font can be used together (mixed) with Dalia and Elisara.

Dalia is a joining high-contrast-script, with extreme ascenders and descenders for added personality; some descenders are looping into each other and under its neighboring letters. The font can be used together (mixed) with Constanza...

Elisara is a joining high-contrast-script, with extreme ascenders and descenders; the capital letters and some lower case letters are highly ornamental with swirls galore. The font can be used together (mixed) with Constanza and...

Isara is a rough script written with a flat-nibbed marker, scanned and then carefully digitized to keep that spontaneous feeling.

Paula is a non-joining rough brush script with traces of the brush’s backstroke that give it that typical look. Paula is an open script with very good readability.

Helenia is a classic broad-nib script with joining letters. Written with a pen on rough paper, scanned and then carefully digitized to keep that rough touch.

Grazia is a joining script with zero contrast. That means that I designed the line of the letters so, that they look equally thick all the time. The script is almost upright and has...