Drescher Grotesk BT
Mr. Gogoll’s successful revival of Arno Drescher’s Super Grotesk was awarded the 1999 Kurt Christians Award. The Drescher Grotesk family consists of seven roman weights, including a version designed for use at small point...
font_foundry: Bitstream
Engravers’ Gothic
Gothic capitals of the same form as Copperplate Gothic, lacking only the oversharpened corners.
Engravers’ Roman BT
A set of capitals popular with American engravers and typefounders through the last third of the nineteenth century, shown under this name by ATF in 1903.
Engravers’ Old English BT
Designed by Morris Fuller Benton in 1907; an improved version of the familiar nineteenth century blackletter as he had executed it in his Wedding Text.
EuroMachina BT
The boss of extended typefaces, Brian Bonislawsky, has belted out this ultra wide design, EuroMachina, that looks like an odd meld of OCR-A, Microgramma and Bank Gothic. And if that wasn’t enough, Brian then...
Eroxion BT
Eroxion was designed by Eduardo Manso in 1997. It is a good example of degenerative typographic design, borrowing from techniques first explored in the early 1990s by the designers at Letterror.
Frank Ruehl BT
Frank-Rühl (or Ruehl) is the ubiquitous Hebrew text font style. There are many fonts that belong to this style, and all are based on an early 20th-century design by Raphael Frank. Some of the...
Fry’s Baskerville
Isaac Moore’s recutting of Baskerville’s design for the Fry Typefoundry, long admired as a display design.