Gaulois
A couple of years before the second World War, Marcel Jacno, the popular French graphic designer who in the 1930s designed iconic posters for Gaumont and Paramount and famously illustrated the Gaulish helmet that...
font_foundry: Canada Type
Common Comic
The Common Comic volume is the fifth in Canada Type’s ever-growing series of comic book fonts, which really is the expression of Patrick Griffin’s continued obsession with the genre. Common Comic joins Collector Comic,...
Fellowship
Named in tribute to the members of the American Typecasting Fellowship, this font is an original expression of Jim Rimmer’s left-handed calligraphy. It was designed and cut in 24 p in the early 1980s,...
Wilke Kursiv
Martin Wilke’s underrated yet influential deco classic from 1932 has both feet firmly planted in the high traditions of Western European calligraphy while carefully and subtly introducing some traits from the sweeping geometric/minimalist vision...
Vox Round
Vox Round is the softer version of the Vox family. The original brief for Vox was a extensive monoline typeface that can be both precise and friendly, yet contain enough choice of seamlessly interchangeable...
Albertan Pro
Albertan was the first Jim Rimmer typeface to make the transition from metal to digital. And for very good reason. When the first roman face was cut at 16 pt. in 1982, it was...
Isabelle Pro
Isabelle is the closest thing to a metal type revival Jim Rimmer ever did. The original metal face was designed and cut in late 1930s Germany, but its propspects were cut short by the...
Loxley
Drawn shortly before Jim Rimmer’s passing in 2010, Loxley was designed to be used in a fine press edition of the folklore story of Robin Hood. It was named after the cited birthplace of...
Aragon ST
Aragon ST is a special version of Hans van Maanen’s Aragon family. It was developed for science writing, and it serves as the very first introduction of SciType, an innovative new way of building...
Lancelot Pro
When type historians look back on Jim Rimmer, they will consider him the last type designer who just couldn’t let go of metal type, even though he was just as proficient in digital type....