Matrona
When letterpress started with the Gutenberg Bible, the typeface was like a texture. Before humanism, type did not really need to be legible. The letters were rather drawn in an ornamental way. It filled...
font_foundry: Hubert Jocham Type
Riccia
Riccia actually started with the idea of a Rotunda a. Specifically the lower part of it. This element has a lot of character and I wanted to transfer it to a modern sans serif....
Motora Sans
Many of my typefaces like Narziss and Mommie and also NewLibris or Verse are rather feminine. With Motora Sans I wanted to be the opposite. Masculine with a smell of gasoline and sweat. Technical...
Madita
Madita started with the idea of an upright sans script. Unlike other script typefaces, some of the characters look fairly constructed. The endings are either vertical or horizontal. On the other hand there are...
Voice
In comparison to most of my typefaces that tend to be fairly expressive, I wanted Voice to be simple, effective and easy to use. Voice was designed to work well in a wide range...
Verse Serif
In 2006 the art director of Emotion, a women’s psychology magazine, asked me to design a copy typeface for them. Before I actually got the job I started to work on a serif. I...
Verse Sans
In 2006 the art director of Emotion, a women’s psychology magazine, asked me to design a copy typeface for them. Before I actually got the job I started to work on a serif. I...
Crema
With packaging in the back of my mind I created Crema only in one specific weight. But there are 3 styles from the connected Forte to the quiet Piano. You can see Schoko the...
Jocham
Since I have my new logotype people are asking me about the typeface it is based on. But it did not exist and I did not believe that it would actually work. I still...
Narziss Pro Cyrillic
Since Mommie, I gradually got more into swirly ornaments. The massive contrast in the neoclassic style is perfect for thin swirly extentions to the characters. Even in an upright typeface. Narziss is very elegant...