font_foundry: Jeff Levine

Sheet music from 1910 with another one of those ridiculous thirteen word titles (“I Love My Steady but I’m Crazy for My “Once-in-a-While’”) had the lengthy verbiage hand lettered in a bold serif typeface...

This reinterpretation of Caslon Rounded showcases one of the early attempts of type foundries to create a novelty ‘rounded’ typeface for general use.While the lettering might easily convey a more modern look of 1960s...

Based on William H. Page’s Clarendon Extended wood type from the 1800s, Clarified JNL is digitally available in both regular and oblique versions.In the days of wood and metal type, foundries often made changes...

An online image of a grid page [circa 1930s] showing teachers how they and their students could create cut-out letters and numbers inspired Poster Project JNL. The typeface is available in both regular and...

One of the classic designs of the wood type era is Hamilton Gothic Bold [from the Hamilton Wood Type Foundry circa 1889]. Clean and timeless, it even had found a resurgence during the rock...

An example of an antique sans serif wood type displayed in Rob Roy Kelly’s “American Wood Type” was the working model for Sandalwood JNL, which is available in both regular and oblique versions.

The antique wood type Gothic Tuscan [a spurred design with rounded terminals] was the basis for Roundwood JNL, which is available in both regular and oblique versions.

Concave Tuscan Extra Condensed is a classic wood type sans serif design that is the basis for Table Wood JNL, which is available in both regular and oblique versions.

Slabserif Grotesk JNL was modeled from an example of a wood type design called Antique Light Face, and is available in both regular and oblique versions. The numerals (although an odd fit to the...