A sign at the 81st Street (Museum of Natural History) New York subway stop provided the pattern for this mosaic tile face. The font features a full-tile background at the bar position (shift-backslash) and...
by · Published May 26, 2015
· Last modified May 18, 2024
The letterforms of Lucien Bernhard’s stylish, if somewhat anorexic, Bernhard Fashion were beefed up and complemented with thick-and-thin stroke variation to create this elegant family, available in normal and bold weights. Additionally, Bernhard’s…
by · Published May 26, 2015
· Last modified May 18, 2024
This family, in normal and bold weights, is based on Advertisers Gothic, designed by Robert Wiebking for Barnhart Brothers & Spindler in 1917. The original might be considered a transitional design between Art Nouveau...
by · Published May 26, 2015
· Last modified May 18, 2024
In his book of 100 Wood Type Alphabets, Rob Roy Kelly called this face “Teutonic”. This version adds lowercase letters, missing in the original, plus a few woodcut dingbats in the brackets, bar, section...
by · Published May 26, 2015
· Last modified May 18, 2024
Blandford Press strikes again, with a delightful, delicious, de-lovely offering from their 1946 tome, Lettering for the Commercial Artist. The editor, A. H. Hunter, called this one simply “The Elegant Alphabet” and cautioned that...
by · Published May 26, 2015
· Last modified May 18, 2024
This rugged typeface is based on letterforms in the Cherokee Syllabary, reputedly devised by a gentleman named Sequoyah in the early nineteenth century. In addition, Native American petroglyphs—some authentic Cherokee designs, some from other…
by · Published May 26, 2015
· Last modified May 18, 2024
The typeface Weiner Grotesk, designed by Rudolf Geyer for the H. Berthold AG foundry of Berlin in 1912, provides the pattern for this classic Jugendstil font. The design is very versatile: used as all...
by · Published May 26, 2015
· Last modified May 18, 2024
Here’s another happy camper based on the work of master penman Walter Heberling. Its quirky character and offset baseline make for interesting and enticing heads and subheads. All versions of this font include the...
by · Published May 26, 2015
· Last modified May 18, 2024
This growing family of friendly faces is based on the typeface Bravour, designed in 1913 by Martin Jacoby-Boy for the D. Stempel AG foundry in Frankfurt am Main. The wide stance and very large...
by · Published May 26, 2015
· Last modified May 18, 2024
Woodtype wizard Rob Roy Kelly identified the inspiration for this typeface in his 100 Wood Type Alphabets simply as “No. 154”. Funky, chunky, round and robust, it’s clearly a barrel of fun. Named after...