font_foundry: Nick's Fonts

The 1895 specimen book from Barnhart Brothers and Spindler featured this whimsical typeface, originally called Anglo. An unusual combination of elegance and quirky charm. Both versions of this font support the Latin 1252, Central...

Originally issued by the Palmer and Rey Type Foundry of San Francisco in 1884, this typeface bore the name Octagon Condensed, and is as fresh today as it was way back when. Both versions...

This typeface appeared in the William H. Page Woodtype specimen book as Gothic Tuscan Condensed Reversed—quite a mouthful. Banner elements appear in the brace and bracket positions, and reversed spaces can be found in...

Here’s an elegant addition to Argentina NF, carefully crafted after the pattern provided by master type designer Morris Fuller Benton in 1919. Both versions of this font support the Latin 1252, Central European 1250,...

This typeface takes its inspiration from Lightline Gothic, designed by Morris Fuller Benton for ATF in 1908. This version is even lighter, making it suitable for headlines. Both versions of this font support the...

Here’s another example from the William H. Page Company, originally called French Clarendon XXX Condensed No. 117. This version dials up the contrast, making it suitable for tight headlines in large sizes. Both versions...

The American Typefounders 1893 specimen book included the pattern for this face, originally called Pontiac. Its subtle idiosyncrasies make it warm and inviting. Both versions of this font support the Latin 1252, Central European...

A simple stylistic device gives this clean, bold sans serif face a slightly spooky feeling. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

That she blows! Another disco-era delight, this typeface is based on an Affolter and Gschwind release called Moby Dick. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and...