The pattern for this classic typeface was originally called “Viking Oldstyle”, from the 1909 H.C. Hansen Type Foundry catalog. To enhance its weathered look, the inside corners have been rounded to simulate ink buildup...
by · Published May 26, 2015
· Last modified May 18, 2024
Based on a typeface named “Viola Flare”, issued by Franklin Photolettering in the 1970s, this version has been kerned for every possible letter combination, so you can mix the swash uppercase letters with the...
by · Published May 26, 2015
· Last modified May 18, 2024
Every type library needs a generic, comicbook-style “POW!” font, and this one is ours. Breezy, bouncy and bold, it’s the perfect choice for rock-em, sock-em headlines. Both versions of the font include 1252 Latin,...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
Here’s a faithful rendering of an old face from the James Conner’s Sons specimen catalog of 1888, alternately known as Aetna or Painter’s Gothic. Its compact descenders allow for tightly-spaced headlines. Both versions of...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
Dave West’s eponymous Futura Casual, designed for Photo-Lettering, Inc. in the 1960s, inspired this loosy-goosy take on a classic face. Both versions of the font contain the complete Unicode Latin 1252 and Central European...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
This forerunner of Helvetica made its debut as Breite Grotesk in the 1886 specimen book of the Schelter & Giesecke foundry in Leipzig. This classic face still retains its freshness, even after more than...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
Here’s our interpretation of the classic typeface Arrow, designed by Walter Diethelm for Visual Graphics Corporation in 1965. It’s clean, crisp, understated and elegant. Both versions of the font contain the complete Unicode Latin...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
This extrabold display face takes its design cues from the typeface Thomac, designed by George Piscitelle in the 1960s. Its semiscript styling makes for headlines that get attention. Both versions of the font contain...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
This classic face is based on Kleukens Scriptura, designed by Friedrich Wilhelm Kleukens in 1926 for D Stempel AG. It served as an alternative to Lucien Bernhard’s Cursive and an inspiration for Oswald Cooper’s...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
Here’s a fresh version of an old favorite, Loose New Roman, from the Schaedler Studio of New York. Easy, breezy and carefree, it’s a natural for happy headlines. Both versions of the font contain...