A 1947 timetable for—who’d a-thunk it?—Arizona Airways provided the pattern for this unusual, yet endearing, face. Its Art-Deco-meets-Apache vibe ensures that your headlines will be warmly received. Both versions include the complete Unicode Latin…
by Staff · Published May 26, 2015
· Last modified May 18, 2024
A Lufthansa Airlines baggage label from 1936 provided the inspiration for this genuinely German typeface, with strong Art Deco influences. Both versions include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
Eponymous logotype lettering on an airline timetable from 1948 inspired this exercise in aerodynamics. This typeface’s streamlined design remains fresh, even sixty-plus years on. Both versions include the complete Unicode Latin 1252, Central…
by Staff · Published May 26, 2015
· Last modified May 18, 2024
Logotype lettering from 1896 for the Italian confection company Talmone provided the inspiration for this curvy, cuddly face. Warm up your headlines today with this antique charmer. Both versions include the complete Unicode Latin...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
Here’s a retooling of the Art Deco classic Novel Gothic, designed by Morris Fuller Benton and Charles H. Becker for American Type Founders in 1929. We’ve added a little sparkle to this classic with...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
Put the kettle on and break out the biscuits. This no-nonsense stencil face is a faithful recreation of Tea Chest, released by the Stephenson Blake Type Foundry in 1939. Its bold strokes and slender...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
Eh, what’s up, Doc? This cuddly little oddball of a typeface was originally released under the rather unlikely name of Hercules by the Amsterdam Typefoundry in 1926. This face includes OpenType Stylistic Alternates for...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
Alpha Midnight, reconstructed from an unnamed source by Dick Pape for Solotype, provided the pattern for this big, bold, unconventional stencil face, sure to grab your readers’ attention. Both versions include the complete Latin...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
This rough-hewn offering is patterned after Antikva Margaret, designed by Zoltán Nagy for VGC in the mid-60s. Its energetic and, at times, eccentric letterforms make this face a perfect choice for headlines and subheads...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
This distinctive titling face is based on Elegant Lichte, designed by Hans Möhring for D. Stempel in 1928, with the helpful addition of a lowercase not found in the original. It functions equally well...