The name says it all: here’s a faithful revival of a Schelter und Geiseck release from 1911, designed by Moritz Greishaber and originally called Monos. Although it predates the Art Deco era, it has...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
The Hunt Brothers, penmen extraordinaire, presented the pattern for this face as Upright Ornamental, it’s a little loopy and a whole lotta fun. Both versions of this font support the Latin 1252, Central European...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
You can pack a lot of letters into a single line with this face, originally released as Clarendon XX Condensed in 1859. Both versions of this font support the Latin 1262, Central European 1250,...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
Here’s a typeface from the Art Nouveau era that is equally at home in the world of contemporary science fiction, which is quite an achievement. Both versions of this font support the Latin 1262,...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
Originally released as Éclair by the French foundry Deberny, Peignot & Cie., this face is pure Art Deco in motion. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
A classic late nineteenth-century face from the Dickinson Type Foundry of Boston. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.
by Staff · Published May 26, 2015
· Last modified May 18, 2024
Based on L&C Hairline, this family of faces is weighted to achieve stroke consistency in a variety of sizes. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
Samuel Welo offered the pattern for this font as a titling font for silent movies. Its rustic charm has held up well, some eighty years on. Both versions of this font support the Latin...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
A long-lost gem from Herbert Thannhaeuser named “Buik” provided the inspiration for this classic Deco-era face. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.