Gesta
Gesta is a friendly versatile sans serif typeface suitable for corporate and editorial purposes. With its generous x-height and slightly curved strokes, Gesta combines a distinctive and warm feel with a modern look. It...
font_foundry: Rui Abreu
Azo Sans
Azo Sans is a new sans serif loosely based on the elementary forms of geometry. It is constructed in a geometric manner and inspired by the constructivist typefaces of the 1920’s, but is instilled...
Azo Sans Uber
Azo Sans Uber is the heavy headline version of Azo Sans. It explores the maximum weight possible in Azo’s uppercases without dismissing their geometrical appearance. Azo Sans Uber has all the optical adjustments present...
Grafolita Script
Grafolita is a type family of three fonts. It offers great versatility in composing layouts with different point sizes, as it allows the user to balance the weights between bigger and smaller letters. Grafolita...
Signo
Signo is a dynamic sans serif with reverse contrast, designed for editorial and branding. Signo is a charismatic typeface for headlines, but its tall x-height and open counters also make it perform well in...
Orbe Pro
Orbe is a typographic interpretation of the Lombardic majuscules. For its beauty and decorativeness, Lombardic capitals were the chosen form for versals in mediaeval manuscripts. These versals were an amalgamation of roman capitals and...
Foral Pro
Foral Pro is an economic slab serif typeface designed for text and caption sizes. It features pronounced ink-traps that open the insides of some of the letters, to avoid the clogging of black, and...
Litania
In medieval manuscripts, scribes often used varying shapes for the majuscules. The same letter could appear in different forms within the same word. This was a good solution for managing space, but scribes also...
Aria Text
Aria Text is the new text version of the lyric Aria. More sober and rational, Aria Text was designed for books. The decoration mannerisms, extreme contrast, the italics angle, among other attributes of the...
Aria Pro
The inspiration for this typeface came from the epigraph on a frame of a nineteenth century painting. I was fascinated by the peculiar capitals of the inscription. The high contrast, and the overall quirkiness,...