I decided to draw the Regular style of Trivia Humanist not too light and the Bold not too dark. Delicate anatomy and moderate contrasts of serifed humanist typefaces aren’t usually born by interpolating between extremes,...
by Staff · Published May 26, 2015
· Last modified December 27, 2022
This typeface is primarily optimized for the setting of belles-lettres. The regular styles are balanced to suit small text sizes and enable the reading of long portions of text. The development of the typeface...
by Staff · Published May 26, 2015
· Last modified December 27, 2022
“Quercus” is characterised by open, yet a little bit condensed drawing with sufficient spacing so that the neighbouring letters never touch. It has eight interpolated weights with respective italics. Their fine gradation allows to...
by Staff · Published May 26, 2015
· Last modified December 27, 2022
Quercus is characterised by open, yet a little bit condensed drawing with sufficient spacing so that the neighbouring letters never touch. It has eight interpolated weights with respective italics. Their fine gradation allows to...
by Staff · Published May 26, 2015
· Last modified December 27, 2022
Quercus is characterised by open, yet a little bit condensed drawing with sufficient spacing so that the neighbouring letters never touch. It has eight interpolated weights with respective italics. Their fine gradation allows to...
by Staff · Published May 26, 2015
· Last modified December 27, 2022
Quercus is characterised by open, yet a little bit condensed drawing with sufficient spacing so that the neighbouring letters never touch. It has eight interpolated weights with respective italics. Their fine gradation allows to...
by Staff · Published May 26, 2015
· Last modified December 27, 2022
This modernized rustic Baroque Roman face paraphrases freely its model from the first half of the 18th century. The shape of the letters has been cleared from all unevenness and softness, but has retained...