Ganache is a smart, intricate, fun, and deceptively simple font. This distinctive hybrid is a unique blend of script, Roman, and italic. My fascination with letter-fitting makes this an intriguing exercise in negative space....
by Staff · Published May 26, 2015
· Last modified March 21, 2022
Arquitecta—humanist typography as a rational project. Since the experimentation from the Bauhaus through modern sans history, we looked for a new mix to construct a rational geometric typeface with humanist proportions suitable for text...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
This is my latest release : monmica family – a set of three multilingual, handwritten stylish copperplate calligraphy fonts. The files listed here are containing 1118, 1229 and 2018, glyphs respectively. There are many...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
The story of “Bodoni Ritalic” began in 2006. It began as a favor for a colleague and was my starting point for dealing with serifed faces. There is one feature that makes this typeface...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Horror is, as its name suggests, a terribly great expressive typography to illustrate topics such as: nocture atmosphere, horror, zombie movie, hard rock, festival, halloween … Accompanied many ornaments you can easily illustrate these...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Kandel 105 is a geometric, tri-line, display and headline font available in a family of three weights. Its bold, graphic styling gives it great stand-out qualities and a highly individual look. It’s particularly well...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Kandel 205 is a geometric, tri-line, display and headline font available in a family of three weights. Its bold, graphic styling gives it great stand-out qualities and a highly individual look. It’s particularly well...
by Staff · Published May 26, 2015
· Last modified December 29, 2022
Caslon1821 is a revived “Italian” typeface of foundry Caslon & Livermore, 1821. The typeface quickly extended across Europe and America. It came to Russia and became very popular from France in the 30s of...
by Staff · Published May 26, 2015
· Last modified October 11, 2015