Courier LT
Courier is one of the most well-recognized typefaces in the world. Everyone recognizes it as the face originally designed for use on typewriters. A typical characteristic of older typewriters is that all characters are...
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DIN Next Stencil
The DIN Next™ Stencil suite of designs is DIN with an attitude. It’s even more industrial strength than the original. DIN Next Stencil’s seven roman weights are perfect for projects that require a mechanized,...
Garamond #3
Opinion varies regarding the role of Claude Garamond (ca. 1480–1561) in the development of the Old Face font Garamond. What is accepted is the influence this font had on other typeface developments from the...
Agilita
Created by German designer Jürgen Weltin, Linotype’s Agilita is a contemporary humanist sans serif family with a wide variety of weights, including both ultra thin hairline options and heavier, dark type. Agilita has rather...
Agrafie Alexie
Alexie was developed by Roland John Goulsbra in 1994. In this font, Goulsbra combined letter and pictogram to create a font particularly suited for unconventional text designs and text interpretations.
Akko
The Akko typeface family is the first new design from Akira Kobayashi in a very long time – and it is well worth the wait. Picture an industrial strength typeface like the Isonorm™ design....
Al Harf Al Jadid
Al Harf Al Jadid is a traditional-style Arabic display typeface. Al Harf Al Jadid Two is an outline version of Al Harf Al Jadid One. Although their design is ultra bold, its forms remain...
Aldus Nova
Hermann Zapf and Akira Kobayashi redeveloped Palatino for the 21st Century, creating Palatino nova. The Palatino nova family also includes revised versions of Aldus (now called Aldus nova). A bold weight is added into...
Avenir Next
Avenir Next Pro is a new take on a classic face—it’s the result of a project whose goal was to take a beautifully designed sans and update it so that its technical standards surpass...
AdPro
Roman Sehrer, a seasoned German advertising professional, digitized his handwriting to create this family of three fonts. Sehrer recommends this family for posters, logos, and restaurant menus. It works well with traditional sans serifs...