The type family consists of six well-distinguished weights, from hair-thin all the way to the one black as the deepest night. In line with the current trend, it touches all boundaries, it stretches beyond...
by Staff · Published May 26, 2015
· Last modified October 13, 2015
FR Tabula is a highly decorative font family for titles. Family members shares the very same metrics/kerning so these can layered on top of each other. Experiment for highly decorative, eye-catching results. FR Tabula...
by Staff · Published May 26, 2015
· Last modified October 19, 2015
FR Smaragdina is a highly decorative font family for titles. Family members shares the very same metrics/kerning so these can layered on top of each other. Experiment for highly decorative, eye-catching results. FR Smaragdina...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
A blackletter font tending towards the gothic which was released by Klingspor, Offenbach am Main, in 1937. Claudius can be used for clerical as well as for secular purposes and shows a strong character...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Norwich Aldine ML is a all-cap typeface with enlarged serifs, designed and produced in wood by William Hamilton Page of Norwich, Connecticut in 1872. Norwich Aldine ML is a fine example of the strength...
by · Published May 26, 2015
· Last modified March 18, 2021
Gabriel Martinez Meave’s Organica Semiserif emerged from the idea of creating a typeface with no uniform strokes or curves of a predictable modulation. The intent was a font with a more “organic” look, even...
by · Published May 26, 2015
· Last modified May 19, 2025
Some of the most popular typefaces in history are those based on the types of the sixteenth-century printer, publisher, and type designer Claude Garamond, whose sixteenth-century types were modeled on those of Venetian printers...