Afire
Afire is a sans-serif of understated warmth and elegance. Through clean legibility and gentle embellishment, Afire delivers lively bounce with sophistication.
font
Upona
Inspired by 19th century storybook lettering, Upona is a font fit to tell all tales.Fresh yet familiar, Upona blends classical styling with whimsical flourishes.Carrying a sense of history and tangibility, stories set in Upona...
Loure
Formal yet light-hearted, Loure is an ideal font for the best of times. Modest Art Deco influences imbue a century of history behind Loure’s fresh 2022 gaze, while a few unexpected swoops deliver intrigue...
Eutopia
I was inspired by the letters of the mythical “Ideales” tobacco package, designed in 1936 in Barcelona by Carlos Vives, director of the designers studio of the Rieusset graphical industry. We have also studied...
Swarha
Built in 1930 – 1935 by Dutch architect Wolff Schoemaker, the Swarha Islamic Building was originally used as a lodging for the honoured guest country and the journalists for Asia-Africa Conference in 1955. This...
Glupsk
Do you remember that kid from Lord of the Flies? Why do I even remember that kid, I’m too young for that. However, his name was Piggy, and I wanted to make a typeface...
Analogia
Analogia is a digital interpretation of types used in the mid-18th century in books printed at Leuven by Martin van Overbeke. It is intended primarily for use in running text. The roman is businesslike,...
Cunaeus
Cunaeus is intended primarily for use in running text. It brings together the types of two renowned sixteenth-century punchcutters: the roman is an interpretation of a pica font cut by Ameet Tavernier (c.1522–1570), and...
Whittington
Whittington is a revival of a congenial ‘modern’ typeface of the mid nineteenth century, unassuming and businesslike with an even colour that reads comfortably over long stretches. It is intended primarily for use in...
Miklos
The gifted Hungarian punch-cutter and printer Miklós Kis was active in Amsterdam in the 1680s. Among the many fonts that he cut during those years were a ‘mediaen’ (pica-sized) roman and italic, and the...