An extravagant set of initial capitals have been added to this classic roman italic typeface to complement the lowercase letterforms. Like all great roman typefaces, Caslon 540 Italic exudes grandeur and is beautifully suited...
by · Published May 26, 2015
· Last modified December 27, 2022
Named for Antoine Augereau, teacher of Claude Garamond, this much admired rendition of the classic Garamond typeface was created by George Abrams and released in 1997.
by · Published May 26, 2015
· Last modified May 15, 2024
Linotype Compendio is a part of the Take Type Library, chosen from the contestants of the International Digital Type Design Contests from 1994 and 1997. Christian Bauer designed this font based on the basic...
by · Published May 26, 2015
· Last modified November 4, 2024
An Adobe Originals design, and Adobe’s first historical revival, Adobe Garamond is a digital interpretation of the roman types of Claude Garamond and the italic types of Robert Granjon. Since its release in 1989,...
by · Published May 26, 2015
· Last modified May 15, 2024
The Zapf Renaissance Antiqua type family was designed by Hermann Zapf for the German Scangraphic Dr. Böger GmbH in Hamburg, from 1984–1986. The typefaces were engineered for use in digital CRT phototypesetting. This version...
by · Published May 26, 2015
· Last modified May 18, 2024
Benicia is serif typeface. It reflects my ongoing fascination with the Golden Type/ATF Jenson design genre of the late 19th and early 20th centuries. Designed for display, it also works well at small sizes....
by · Published May 26, 2015
· Last modified May 15, 2024
A Venetian serif in 6 stylesThe Apolline typeface family was created by Jean François Porchez as a means to study the transition from Renaissance writing into the first printing types. Rather than sticking to...
by · Published May 26, 2015
· Last modified May 17, 2024